Recorded with Sonobeat in 1971
No commercial releases on Sonobeat Records
- Updated February 28, 2017 Rock Phoenix • Changes (unreleased; 1971)
An October 1971 Jade Room ad appearing in The University of Texas' school newspaper, The Daily Texan
It's 1970, and Austin, Texas, supergroup Lavender Hill Express, who has recorded three singles for Sonobeat, breaks up. Guitarist Leonard Arnold, a Lavender Hill Express' founding member, forms Phoenix with Austin musicians Rodney Garrison and Tom Harmon. Coming into 1971, Phoenix already has an established reputation throughout Central Texas as a solid rock trio and is booked into all of Austin's most popular night clubs. Beginning February 4, 1971, Sonobeat producer Bill Josey Sr. records a demo of two of the unit's original songs, Changes and I Found Love. Although the location of the sessions isn't documented in the Sonobeat archives, we're pretty sure Phoenix is recorded at Sonobeat's Western Hills Drive studio in northwest Austin, which is just large enough to comfortably accommodate a small combo.
Although Bill typically keeps recording session notes, those for Phoenix don't shed any light on the group itself, although Bill's notes do show how he mixes the band's songs from the 4-track session master to the 2-track stereo demo. The Sonobeat archives provide no indication why Sonobeat never releases the Phoenix songs as a 45 RPM single.
The sound bite we offer demonstrates that Phoenix is a tight and talented rock group with great promise, but we surmise that the band doesn't last long, since Leonard (1943-2015) and former Lavender Hill Express bandmates Rusty Wier (1944-2009), Layton DePenning, and Gary P. Nunn go on to help establish the progressive country music movement that takes over Austin in the early '70s. There's just a hint of the beginnings of progressive country in Phoenix's vocals, but the total sound is distinctively Austin rock.
Leonard Arnold: lead guitar
Rodney Garrison: bass
Tom Harmon: drums and lead vocals
I Found Love
Recorded at Sonobeat's Western Hills Drive studios, Austin, Texas, on February 4 and 8, 1971
Recording equipment: ElectroVoice Slimair 636 microphones, Sony ECM22 electret condenser microphones, AKG D707E dynamic microphone, Scully 280 half-inch 4-track tape deck, Stemco half-inch 4-track tape deck, Ampex AG350 tape deck, custom 16-channel 4-bus mixing console, Fairchild Lumiten 663ST optical compressor, Blonder-Tongue Audio Baton 9-band stereo graphic equalizer, custom steel plate stereo reverb, Ampex 681 tape stock